The “Venetia citta nobilissima et singolare” (1581) by Francesco Sansovino is a detailed description of Venice, as it once was.
This is the work on Renaissance dress, with many hundreds of woodcuts of people from all over the world, and almost one hundred of Venetians.
All the translated watercolours in the four volumes of “Gli Abiti de Veneziani” by Grevembroch, as galleries for easy browsing.
The statue on the façade of the San Zulian church is not a saint, but an astrologer and doctor, who sold remedies for syphilis.
The Republic of Venice issued a wide range of coins, of many, and changing, denominations, including the ducato, scudo, soldo, lira, and many more.
The cover pages of each of the four volumes of Grevembroch’s “Gli abiti de venezianii” are quite intriguing.
The full list of all the watercolours in the four volumes of “Gli Abiti de Veneziani” by Grevembroch.
About forty engravings from the early 1600s, with dresses, attires, ceremonies, feasts, regattas and much more.
The “Game of Pallone” was the quintessential ball game in the Republic of Venice and elsewhere, but it wasn’t really like any modern game.